Sonata form

Sonata form

Sonata form (also sonata-allegro form or first movement form) is a musical structure generally consisting of three main sections: an exposition, a development, and a recapitulation. It has been used widely since the middle of the 18th century (the early Classical period).

Caption
enDevelopment, mm. 29–53 File:Development Haydn's Sonata in G Major.mid
enEnd of second subject and Codetta , mm. 17–28 File:Second theme Haydn's Sonata in G Major.mid
enFirst theme and transition from counterstatement , mm. 1–12File:First theme Haydn's Sonata in G Major.mid
enRecapitulation, mm. 58–80 File:Coda Haydn's Sonata in G Major.mid
enRetransition, mm. 54–57 File:Retransition Haydn's Sonata in G Major.mid
enStart of second subject , mm. 13–16 File:Transition Haydn's Sonata in G Major.mid
Comment
enSonata form (also sonata-allegro form or first movement form) is a musical structure generally consisting of three main sections: an exposition, a development, and a recapitulation. It has been used widely since the middle of the 18th century (the early Classical period).
Depiction
Baroque binary forms roots in sonata form.png
Coda Haydn's Sonata in G Major.png
Development Haydn's Sonata in G Major.png
First theme Haydn's Sonata in G Major.png
Mozart- Coda- Sonata in C Major, K. 309, I.png
Retransition Haydn's Sonata in G Major.png
Second theme Haydn's Sonata in G Major.png
Sonata form three large sections.png
Sonata form two-reprise continuous ternary form.png
Transition Haydn's Sonata in G Major.png
Direction
envertical
Has abstract
enSonata form (also sonata-allegro form or first movement form) is a musical structure generally consisting of three main sections: an exposition, a development, and a recapitulation. It has been used widely since the middle of the 18th century (the early Classical period). While it is typically used in the first movement of multi-movement pieces, it is sometimes used in subsequent movements as well—particularly the final movement. The teaching of sonata form in music theory rests on a standard definition and a series of hypotheses about the underlying reasons for the durability and variety of the form—a definition that arose in the second quarter of the 19th century. There is little disagreement that on the largest level, the form consists of three main sections: an exposition, a development, and a recapitulation; however, beneath this general structure, sonata form is difficult to pin down to a single model. The standard definition focuses on the thematic and harmonic organization of tonal materials that are presented in an exposition, elaborated and contrasted in a development and then resolved harmonically and thematically in a recapitulation. In addition, the standard definition recognizes that an introduction and a coda may be present. Each of the sections is often further divided or characterized by the particular means by which it accomplishes its function in the form. After its establishment, the sonata form became the most common form in the first movement of works entitled "sonata", as well as other long works of classical music, including the symphony, concerto, string quartet, and so on. Accordingly, there is a large body of theory on what unifies and distinguishes practice in the sonata form, both within and between eras. Even works that do not adhere to the standard description of a sonata form often present analogous structures or can be analyzed as elaborations or expansions of the standard description of sonata form.
Header
enHaydn's Keyboard Sonata, Hob. XVI: G1, I
Hypernym
Structure
Image
enCoda Haydn's Sonata in G Major.png
enDevelopment Haydn's Sonata in G Major.png
enFirst theme Haydn's Sonata in G Major.png
enRetransition Haydn's Sonata in G Major.png
enSecond theme Haydn's Sonata in G Major.png
enTransition Haydn's Sonata in G Major.png
Is primary topic of
Sonata form
Label
enSonata form
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20th-century classical music
Adolf Bernhard Marx
A-flat major
Anton Bruckner
Antonin Dvorak
Antonín Dvořák
Anton Reicha
Arnold Schoenberg
Artur Schnabel
Awadagin Pratt
Baroque
Baroque music
Beethoven
B-flat major
Binary form
B major
Bruckner
Cadence
Cadences
Cadenza
Cantata
Carl Czerny
Carl Maria von Weber
Category:Musical development
Category:Musical form
Category:Tonality
Chamber music
Charles Rosen
Charles-Valentin Alkan
Chopin
Clarinet Quintet (Brahms)
Clarinet Sonatas (Brahms)
Classical music era
Classical period (music)
C major
Coda (music)
Codetta
Concerto
Daniel Barenboim
Death and the Maiden Quartet (Schubert)
D-flat major
D minor
Domenico Scarlatti
Dominant (music)
Donald Tovey
Edmund Rubbra
Edward Elgar
Edward T. Cone
E-flat major
E-flat minor
Eine kleine Nachtmusik
E major
Eroica Symphony
Erwin Ratz
Exposition (music)
File:Baroque binary forms roots in sonata form.png
File:Coda Haydn's Sonata in G Major.mid
File:Development Haydn's Sonata in G Major.mid
File:First theme Haydn's Sonata in G Major.mid
File:Mozart- Coda- Sonata in C Major, K. 309, I.png
File:Retransition Haydn's Sonata in G Major.mid
File:Second theme Haydn's Sonata in G Major.mid
File:Sonata form three large sections.png
File:Sonata form two-reprise continuous ternary form.png
File:Transition Haydn's Sonata in G Major.mid
F major
F minor
Franz Schubert
Fritz Seitz
G-flat major
Giovanni Battista Pergolesi
G major
Grande sonate 'Les quatre âges'
Grove Dictionary of Music and Musicians
G-sharp minor
Gustav Mahler
Hans Keller
Harmony
Haydn
Heinrich Christoph Koch
Heinrich Schenker
Henryk Wieniawski
Hoboken-Verzeichnis
Il barbiere di Siviglia
Instrumental
Introduction (music)
James Hepokoski
Jean Sibelius
Johannes Brahms
Joseph Haydn
K. 379
K. 387
K. 388
Key (music)
Konzertstück in F minor (Weber)
Le nozze di Figaro
List of string quartets by Joseph Haydn
Ludwig van Beethoven
Mediant
Minuet
Modulation (music)
Movement (music)
Musical analysis
Musical argument
Musical development
Musical form
Musical phrasing
Music genre
New World Symphony
Orchestra
Parallel major
Piano
Piano Concerto (Grieg)
Piano Concerto (Schumann)
Piano Concerto No. 1 (Chopin)
Piano Concerto No. 2 (Brahms)
Piano Concerto No. 2 (Chopin)
Piano Concerto No. 4 (Beethoven)
Piano Concerto No. 5 (Beethoven)
Piano Concerto No. 9 (Mozart)
Piano Quintet (Brahms)
Piano Sonata in A major, D 664 (Schubert)
Piano Sonata in A major, D 959 (Schubert)
Piano Sonata in A minor, D 537 (Schubert)
Piano Sonata in B major, D 575 (Schubert)
Piano Sonata in C major, D 279 (Schubert)
Piano Sonata in E major, D 459 (Schubert)
Piano Sonata No. 1 (Brahms)
Piano Sonata No. 1 (Chopin)
Piano Sonata No. 14 (Mozart)
Piano Sonata No. 16 (Mozart)
Piano Sonata No. 17 (Mozart)
Piano Sonata No. 2 (Chopin)
Piano Sonata No. 21 (Beethoven)
Piano Sonata No. 23 (Beethoven)
Piano Sonata No. 29 (Beethoven)
Piano Sonata No. 3 (Chopin)
Piano Sonata No. 32 (Beethoven)
Piano Sonata No. 8 (Beethoven)
Piano Sonata No. 9 (Mozart)
Progressive tonality
Pyotr Ilyich Tchaikovsky
Quintet for Piano and Winds (Beethoven)
Recapitulation (music)
Relative major
Rhythm
Richard Strauss
Robert Schumann
Romantic music
Serenade for Strings (Tchaikovsky)
Seventh chord
Slow movement (music)
Sonata
Sonata rondo form
Sonata Theory
Sonatina
String quartet
String Quartet No. 11 (Beethoven)
String Quartet No. 13 (Beethoven)
String Quartet No. 14 (Mozart)
String Quartet No. 15 (Beethoven)
String Quartet No. 17 (Mozart)
String Quartet No. 19 (Mozart)
String Quartet No. 21 (Mozart)
String Quartet No. 22 (Mozart)
String Quartets, Op. 76 (Haydn)
String Quintet (Schubert)
String Quintet No. 3 (Mozart)
String Quintet No. 5 (Mozart)
Subdominant
Submediant
Symphony
Symphony No. 1 (Brahms)
Symphony No. 1 (Schubert)
Symphony No. 1 (Tchaikovsky)
Symphony No. 103 (Haydn)
Symphony No. 2 (Schubert)
Symphony No. 2 (Strauss)
Symphony No. 2 (Tchaikovsky)
Symphony No. 3 (Beethoven)
Symphony No. 31 (Mozart)
Symphony No. 34 (Mozart)
Symphony No. 4 (Brahms)
Symphony No. 4 (Bruckner)
Symphony No. 4 (Tchaikovsky)
Symphony No. 40 (Mozart)
Symphony No. 44 (Haydn)
Symphony No. 47 (Haydn)
Symphony No. 5 (Beethoven)
Symphony No. 5 (Schubert)
Symphony No. 6 (Schubert)
Symphony No. 7 (Bruckner)
Symphony No. 8 (Beethoven)
Symphony No. 9 (Beethoven)
Symphony No. 9 (Dvorak)
Symphony No. 9 (Schubert)
Tempo
Ternary form
Texture (music)
Theme (music)
Tonality
Tonic (music)
Transition (music)
Variation (music)
Violin Concerto (Tchaikovsky)
Violin Concerto No. 2 (Wieniawski)
Warren Darcy
Wolfgang Amadeus Mozart
SameAs
21J12
4181786-2
Formă de sonată
Forma sonata
Forma sonata
Forma sonata
Forma-sonata
Forma sonatarum
Forma sonatowa
Forme sonate
m.0lczh
Q212044
Sonaadivorm
Sonaattimuoto
Sonata form
Sonata formo
Sonateform
Sonatensatzform
Sonatesatsform
Sonatevorm
Sonatform
Sonatna oblika
Sonato
Sonátová forma
Sonátová forma
Szonátaforma
Φόρμα σονάτας
Сонатна форма
Сонатная форма
Сонатни облик
Сонатын хэлбэр
צורת הסונאטה
قالب السوناتا
โซนาตา
ဆိုနာတာပုံစံ
ソナタ形式
奏鸣曲式
소나타 형식
Subject
Category:Musical development
Category:Musical form
Category:Tonality
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