Musical improvisation
Musical improvisation (also known as musical extemporization) is the creative activity of immediate ("in the moment") musical composition, which combines performance with communication of emotions and instrumental technique as well as spontaneous response to other musicians. Sometimes musical ideas in improvisation are spontaneous, but may be based on chord changes in classical music and many other kinds of music. One definition is a "performance given extempore without planning or preparation". Another definition is to "play or sing (music) extemporaneously, by inventing variations on a melody or creating new melodies, rhythms and harmonies". Encyclopædia Britannica defines it as "the extemporaneous composition or free performance of a musical passage, usually in a manner conforming to ce
- Ability105616246
- Abstraction100002137
- AuditoryCommunication107109019
- Cognition100023271
- Communication100033020
- ExpressiveStyle107066659
- Know-how105616786
- Method105660268
- Music107020895
- music genre
- MusicGenre107071942
- PsychologicalFeature100023100
- sport
- Technique105665146
- Thing
- WikicatJazzTechniques
- WikicatMusicalPerformanceTechniques
- WikicatMusicalTechniques
- WikicatMusicGenres
- Comment
- enMusical improvisation (also known as musical extemporization) is the creative activity of immediate ("in the moment") musical composition, which combines performance with communication of emotions and instrumental technique as well as spontaneous response to other musicians. Sometimes musical ideas in improvisation are spontaneous, but may be based on chord changes in classical music and many other kinds of music. One definition is a "performance given extempore without planning or preparation". Another definition is to "play or sing (music) extemporaneously, by inventing variations on a melody or creating new melodies, rhythms and harmonies". Encyclopædia Britannica defines it as "the extemporaneous composition or free performance of a musical passage, usually in a manner conforming to ce
- Has abstract
- enMusical improvisation (also known as musical extemporization) is the creative activity of immediate ("in the moment") musical composition, which combines performance with communication of emotions and instrumental technique as well as spontaneous response to other musicians. Sometimes musical ideas in improvisation are spontaneous, but may be based on chord changes in classical music and many other kinds of music. One definition is a "performance given extempore without planning or preparation". Another definition is to "play or sing (music) extemporaneously, by inventing variations on a melody or creating new melodies, rhythms and harmonies". Encyclopædia Britannica defines it as "the extemporaneous composition or free performance of a musical passage, usually in a manner conforming to certain stylistic norms but unfettered by the prescriptive features of a specific musical text." Improvisation is often done within (or based on) a pre-existing harmonic framework or chord progression. Improvisation is a major part of some types of 20th-century music, such as blues, rock music, jazz, and jazz fusion, in which instrumental performers improvise solos, melody lines and accompaniment parts. Throughout the eras of the Western art music tradition, including the Medieval, Renaissance, Baroque, Classical, and Romantic periods, improvisation was a valued skill. J. S. Bach, Handel, Mozart, Beethoven, Chopin, Liszt, and many other famous composers and musicians were known especially for their improvisational skills. Improvisation might have played an important role in the monophonic period. The earliest treatises on polyphony, such as the Musica enchiriadis (ninth century), indicate that added parts were improvised for centuries before the first notated examples. However, it was only in the fifteenth century that theorists began making a hard distinction between improvised and written music. Some classical music forms contained sections for improvisation, such as the cadenza in solo concertos, or the preludes to some keyboard suites by Bach and Handel, which consist of elaborations of a progression of chords, which performers are to use as the basis for their improvisation. Handel and Bach frequently improvised on the harpsichord or pipe organ. In the Baroque era, performers improvised ornaments and basso continuo keyboard players improvised chord voicings based on figured bass notation. However, in the 20th and early 21st century, as common practice Western art music performance became institutionalized in symphony orchestras, opera houses and ballets, improvisation has played a smaller role. At the same time, some contemporary composers from the 20th and 21st century have increasingly included improvisation in their creative work. In Indian classical music, improvisation is a core component and an essential criterion of performances. In Indian, Afghan, Pakistani, and Bangladeshi classical music, raga is the "tonal framework for composition and improvisation". The Encyclopædia Britannica defines a raga as "a melodic framework for improvisation and composition".
- Hypernym
- Activity
- Is primary topic of
- Musical improvisation
- Label
- enMusical improvisation
- Link from a Wikipage to an external page
- www.npr.org/programs/specials/milestones/991124.motm.improv.html
- www.theguardian.com/culture/2002/feb/22/artsfeatures1
- www.cs.hmc.edu/~keller/jazz/improvisor/HowToImproviseJazz.pdf
- www.outsideshore.com/primer/primer/
- www.essl.at/bibliogr/improvisation-e.html
- www.furious.com/perfect/improvtechniques.html
- www.newmusicbox.org/page.nmbx%3Fid=35tp00
- www.pointofdeparture.org/PoD30/PoD30FickleSonance.html
- Link from a Wikipage to another Wikipage
- 19th-Century Music
- 52
- Acciaccatura
- Alapa
- Alejandro Planchart
- Alexandra Kertz-Welzel
- Algorithmic composition
- Alvin Curran
- Anton Rubinstein
- Aria
- Arthur Schopenhauer
- Art music
- Bärenreiter
- Bar-line shift
- Baroque music
- Barton McLean
- Basso continuo
- Beethoven
- Benjamin Boretz
- Bill Smith (jazz musician)
- Blues
- Bruno Nettl
- Brunswick Street, Melbourne
- Cabaletta
- Cadenza
- Cantus firmus
- Carl Czerny
- Category:Jazz techniques
- Category:Musical improvisation
- Category:Musical performance techniques
- Category:Organ improvisers
- Cavatina
- Charles Tournemire
- Chopin
- Chord (music)
- Chord progression
- Chord voicing
- Christian Wolff (composer)
- Classical music
- Classical period (music)
- Claude V. Palisca
- Cliff Eisen
- Common practice period
- Composers
- Concerto
- Cornelius Cardew
- Counterpoint
- Dalcroze
- Daniel Heartz
- Daniel Steibelt
- Denis Stevens
- Derek Bailey (guitarist)
- Diego Ortiz
- Dieterich Buxtehude
- Douglas J. Cuomo
- Encyclopædia Britannica
- Ernst Ferand
- Ethnomusicology
- Extended chord
- Felix Mendelssohn
- Figured bass
- Filmi
- Film society
- Frank Zappa
- Franz Kullak
- Franz Liszt
- Frederic Rzewski
- Free improvisation
- Free Play: Improvisation in Life and Art
- French organ school
- Ghazal
- Girolamo Dalla Casa
- Giulio Caccini
- Giuseppe Verdi
- Guido d'Arezzo
- Handel
- Hans-Joachim Hespos
- Hans Zender
- Harmony
- Harpsichord
- Henri Pousseur
- Henry Cow
- Hugh Davies (composer)
- Iannis Xenakis
- Ignacy Jan Paderewski
- I–IV–V–I
- Improvisation
- Improvisation in music therapy
- Impro-Visor
- Indian classical music
- In Theory Only
- Italian Concerto (Bach)
- J. S. Bach
- Jacques-Martin Hotteterre
- Jam session
- Jani Christou
- Jazz
- Jazz fusion
- Jean-Pierre Thiollet
- Johann Nepomuk Hummel
- Johann Sebastian Bach
- John Tyrrell (musicologist)
- John Zorn
- Joseph Brent
- Joseph Woelfl
- Karlheinz Essl
- Karlheinz Stockhausen
- La Monte Young
- Larry Austin
- List of free improvising musicians and groups
- Liszt
- Louis Vierne
- Lukas Foss
- Machine learning
- Manfred Stahnke
- Marcel Dupré
- Maurice Duruflé
- Max Schneider (music historian)
- Medieval music
- Melbourne
- Melody
- Michael Vetter
- Mohammed Fairouz
- Motion picture
- Mozart
- Music
- Musica Elettronica Viva
- Musica enchiriadis
- Musical collective
- Musical composition
- Musical mode
- Musical note
- Music for People (organization)
- Musician
- Music of Afghanistan
- Music of Bangladesh
- Music of India
- Music of Pakistan
- Musics (magazine)
- Muzio Clementi
- Nazir Jairazbhoy
- Neil Brand
- Nonchord tone
- Non-lexical vocables in music
- Olivier Latry
- ONCE Group
- Orff Schulwerk
- Organum
- Ornament (music)
- Ostinato
- Otto Friedrich
- Pattern matching
- Paul Berliner (ethnomusicologist)
- Pauline Oliveros
- Percy Grainger
- Perspectives of New Music
- Piano
- Piano Concerto No. 24 (Mozart)
- Piano Sonata No. 24 (Beethoven)
- Pierre Boulez
- Pierre Cochereau
- Pierre Pincemaille
- Pipe organ
- Polyphony
- Popular music pedagogy
- Pordenone Silent Film Festival
- Prelude (music)
- Prepared guitar
- Prepared piano
- Priscilla McLean
- Progressive rock
- Psychedelic rock
- Raga
- Recitative
- Renaissance music
- Rhythm section
- Richard Barrett (composer)
- Richard Grayson (composer)
- Richard Teitelbaum
- Robert Lienau
- Rock music
- Rolf Gehlhaar
- Roman Kroitor
- Romantic music
- Romanza
- S.P.I.T. (music)
- Salve Regina (Latry)
- Saman Samadi
- Samuel Weber
- San Francisco Tape Music Center
- Satis N. Coleman
- Scratch Orchestra
- Side-slipping
- Sight-reading
- Silent film
- Silvestro Ganassi dal Fontego
- Solo (music)
- Stanley Sadie
- Stephen Nachmanovitch
- Strophic form
- Stuart Dempster
- Sylvano Bussotti
- Talkies
- Terry Riley
- Theatre organ
- The Guardian
- The Journal of Aesthetics and Art Criticism
- The New Grove Dictionary of Music and Musicians
- Theodor W. Adorno
- The World as Will and Representation
- Todd Reynolds (musician)
- Tomás de Santa María
- Tōru Takemitsu
- Vangelis
- Variation (music)
- Vinko Globokar
- Vladimir de Pachmann
- Voice leading
- Western art music
- Wiktionary:en:transilience
- Will Crutchfield
- Wolfgang Amadeus Mozart
- Wolf Koenig
- Yitzhak Yedid
- Reference
- enDalla Casa, Girolamo. 1584. Il vero modo di diminuir, con tutte le sorti di stromenti di fiato, & corda, & di voce humana. 2 vols. Venice: Angelo Gardano. Facsimile reprint, in one volume, Bibliotheca musica Bononiensis, sezione 2, no. 23 .
- enGanassi, Silvestro. 1535. Opera Intitulata Fontegara: Laquale insegna a sonare di flauto ch'o tutta l'arte opportuna a esso instrumento massime il diminuire ilquale sara utile ad ogni istrumeno di fiato et chorde: et anchora a chi si dileta di canto. Venice: per Syluestro di Ganassi dal Fontego, Sonator dalla illustrissima signoria di Venetia hautor pprio. Facsimile reprints, Collezione di trattati e musiche antiche edite in fac-simile and Bibliotheca musica Bononiensis, Sezione II, no. 18 . German edition, translated and edited by Hildemarie Peter . English edition with translation by Dorothy Swainson of Peter's German text .
- enHotteterre, Jacques-Martin. 1719. L'art de préluder: sur la flûte traversière, sur la flûte à bec, sur le hautbois et autres instrumens de dessus, op. 7. Paris: Boivin. Facsimile reprints: recueillie par Michel Sanvoisin , , and Archivum musicum: L'art de la flûte traversière 55 . Musical pieces edited by and as 48 Préludes in 24 Tonarten aus op. VII, 1719, für Altblockflöte . Mainz: B. Schott's Söhne; New York: Schott Music, 1972.
- enOrtiz, Diego. 1553. Trattado de glosas sobre clausulas y otros generos depuntos en la musica de violones. Nuevamente puestos en Luz . 2 vols. Rome: Dorico. Facsimile reprint of the Italian edition, Archivum musicum 57 . Transcription, edition, and German translation by Max Schneider .
- enSanta Maria, Tomás de. 1565. Libro llamado Arte de tañer fantasia: assi para tecla como para vihuela, y todo instrumento, en que se pudiere tañer a tres, y a quatro vozes, y a mas ... Elqual por mandado del muy alto Consejo real fue examinado, y aprouado por el eminente musico de Su Magestad Antonio de Cabeçon, y por Iuan de Cabeçon, su hermano. Valladolid: F. Fernandez de Cordova. Facsimile editions: with an introduction in English by Denis Stevens ; Monumentos de la música española 75, edited by Luis Antonio González Marín, with the collaboration of Antonio Ezquerro Estaban, et al. .
- SameAs
- 8g19
- Compositio extemporanea
- Improvisação (música)
- Improvisació musical
- Improvisación musical
- Improvisación musical
- Improvisatie (muziek)
- Improvisation (Musik)
- Improvisation musicale
- Improvisationsmusik
- Improvizacija (glazba)
- Improvizacija (muzika)
- Improvizado (muziko)
- Improvvisazione (musica)
- Improwizacja (muzyka)
- m.0cx779
- Musical improvisation
- Musical improvisation
- Musika-inprobisazio
- Q1049625
- Імпровізація (музика)
- Импровизација (музика)
- Музыкальная импровизация
- אלתור (מוזיקה)
- ارتجال موسيقي
- بداهه (موسیقی)
- සංගිතමය ක්ෂණ නිර්මාණ
- 即興演奏
- 音樂即興
- 즉흥 연주
- SeeAlso
- Machine learning
- Subject
- Category:Jazz techniques
- Category:Musical improvisation
- Category:Musical performance techniques
- WasDerivedFrom
- Musical improvisation?oldid=1103583693&ns=0
- WikiPageLength
- 42554
- Wikipage page ID
- 4960615
- Wikipage revision ID
- 1103583693
- WikiPageUsesTemplate
- Template:ASIN
- Template:Authority control
- Template:Cite book
- Template:Cite encyclopedia
- Template:Cite journal
- Template:Div col
- Template:Div col end
- Template:Harvid
- Template:Ill
- Template:ISBN
- Template:Jazz
- Template:Main
- Template:Musical improvisation
- Template:Music topics
- Template:Portal
- Template:Reflist
- Template:See also
- Template:Sfn
- Template:Short description
- Template:Subscription
- Template:Unreferenced section
- Template:Use dmy dates
- Template:Wikicite