Unchained camera technique

The unchained camera technique (entfesselte Kamera in German) was an innovation by cinematographer Karl Freund that allowed for filmmakers to get shots from cameras in motion enabling them to use pan shots, tracking shots, tilts, crane shots, etc. The technique was introduced by Freund in the 1924 silent film, The Last Laugh, and is arguably the most important stylistic innovation of the 20th century, setting the stage for some of the most commonly used cinematic techniques of modern contemporary cinema.

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enThe unchained camera technique (entfesselte Kamera in German) was an innovation by cinematographer Karl Freund that allowed for filmmakers to get shots from cameras in motion enabling them to use pan shots, tracking shots, tilts, crane shots, etc. The technique was introduced by Freund in the 1924 silent film, The Last Laugh, and is arguably the most important stylistic innovation of the 20th century, setting the stage for some of the most commonly used cinematic techniques of modern contemporary cinema.
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enThe unchained camera technique (entfesselte Kamera in German) was an innovation by cinematographer Karl Freund that allowed for filmmakers to get shots from cameras in motion enabling them to use pan shots, tracking shots, tilts, crane shots, etc. The technique was introduced by Freund in the 1924 silent film, The Last Laugh, and is arguably the most important stylistic innovation of the 20th century, setting the stage for some of the most commonly used cinematic techniques of modern contemporary cinema.
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Innovation
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Unchained camera technique
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enUnchained camera technique
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Category:Cinematic techniques
Category:Cinematography
Cinematic techniques
Crane shot
Karl Freund
Panning (camera)
The Last Laugh (1924 film)
Tilt (camera)
Tracking shot
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Entfesselte Kamera
Entfesselte Kamera
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M72V
Q1344784
Unchained camera technique
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Category:Cinematic techniques
Category:Cinematography
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Unchained camera technique?oldid=1117509660&ns=0
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