Jean-Philippe Rameau

Jean-Philippe Rameau (French: [ʒɑ̃filip ʁamo]; 25 September 1683 – 12 September 1764) was a French composer and music theorist. Regarded as one of the most important French composers and music theorists of the 18th century, he replaced Jean-Baptiste Lully as the dominant composer of French opera and is also considered the leading French composer of his time for the harpsichord, alongside François Couperin.

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Comment: enJean-Philippe Rameau (French: [ʒɑ̃filip ʁamo]; 25 September 1683 – 12 September 1764) was a French composer and music theorist. Regarded as one of the most important French composers and music theorists of the 18th century, he replaced Jean-Baptiste Lully as the dominant composer of French opera and is also considered the leading French composer of his time for the harpsichord, alongside François Couperin.
Date: enFebruary 2020
Depiction
Description: enPerformed in 1953 by Marcelle Meyer
Filename: enJean-Philippe Rameau - Gavotte and Variations .ogg; enJean-Philippe Rameau - Gavotte and Variations.ogg; enRameau- Nouvelles Suites de pièces de clavecin- Suite en la mineur - Gavotte et six doubles.flac; enRameau- Nouvelles Suites de pièces de clavecin- Suite en la mineur - I. Allemande.flac
FixAttempted: enyes
Has abstract: enJean-Philippe Rameau (French: [ʒɑ̃filip ʁamo]; 25 September 1683 – 12 September 1764) was a French composer and music theorist. Regarded as one of the most important French composers and music theorists of the 18th century, he replaced Jean-Baptiste Lully as the dominant composer of French opera and is also considered the leading French composer of his time for the harpsichord, alongside François Couperin. Little is known about Rameau's early years. It was not until the 1720s that he won fame as a major theorist of music with his Treatise on Harmony (1722) and also in the following years as a composer of masterpieces for the harpsichord, which circulated throughout Europe. He was almost 50 before he embarked on the operatic career on which his reputation chiefly rests today. His debut, Hippolyte et Aricie (1733), caused a great stir and was fiercely attacked by the supporters of Lully's style of music for its revolutionary use of harmony. Nevertheless, Rameau's pre-eminence in the field of French opera was soon acknowledged, and he was later attacked as an "establishment" composer by those who favoured Italian opera during the controversy known as the Querelle des Bouffons in the 1750s. Rameau's music had gone out of fashion by the end of the 18th century, and it was not until the 20th that serious efforts were made to revive it. Today, he enjoys renewed appreciation with performances and recordings of his music ever more frequent.
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Header: enNouvelles Suites de pièces de clavecin - Suite en la mineur
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Is primary topic of: Jean-Philippe Rameau
Label: enJean-Philippe Rameau
Link from a Wikipage to an external page: www.academia.edu/6100318; www.classicalacarte.net/Fiches/9882.htm; web.archive.org/web/20070520044256/http:/bach.nau.edu/Rameau/GavotteDoubles.html; bach.nau.edu/; web.archive.org/web/20060325022320/http:/magnatune.com/artists/albums/pinnock-rameau/; web.archive.org/web/20070219142256/http:/www.discographie-rameau.com/; jp.rameau.free.fr/jpr-map.htm; www.mutopiaproject.org/cgibin/make-table.cgi%3FComposer=RameauJP; web.archive.org/web/20080228133044/http:/www.library.unt.edu/music/assets/vrbr/Rameau.pdf; www.library.unt.edu/music/assets/vrbr/Rameau1744.pdf; www.musicologie.org/Biographies/rameau_jp.html
Link from a Wikipage to another Wikipage: Absolute music; Acante et Céphise; Alceste (Gluck); Alexandre Le Riche de La Poupelinière; Alexis Piron; Algarotti; Amanda Holden (writer); Anacréon (1754); André Campra; Antoine Houdar de la Motte; Aqua Horological Tintinnabulator; Aria; Arioso; Bal-musette; Basso continuo; Battle of Fontenoy; Bohemia; Camille Saint-Saëns; Cantata; Castor et Pollux; Castrati; Category:1683 births; Category:1764 deaths; Category:17th-century male musicians; Category:18th-century classical composers; Category:18th-century French composers; Category:18th-century French male musicians; Category:Burials at Saint-Eustache, Paris; Category:Composers awarded knighthoods; Category:Composers for harpsichord; Category:French ballet composers; Category:French Baroque composers; Category:French male classical composers; Category:French male non-fiction writers; Category:French music theorists; Category:French opera composers; Category:Male opera composers; Category:Musicians from Dijon; Chaconne; Charles Dieupart; Christoph Willibald Gluck; Christoph Willibald von Gluck; Claude-Bénigne Balbastre; Claude Debussy; Clermont-Ferrand; Composer; Comte de Livry; Cuthbert Girdlestone; Da capo; Daphnis et Eglé; Dardanus (opera); Diderot; Dijon; Domenico Scarlatti; Église Saint-Eustache, Paris; Élisabeth Jacquet de la Guerre; Encyclopédie; Europe; Figured bass; File:Attribué à Joseph Aved, Portrait de Jean-Philippe Rameau (vers 1728) - 001.jpg; File:Cathédrale St Bénigne - Dijon.jpg; File:Jean-Philippe Rameau by Jean-Jacques Caffieri - 20080203-03.jpg; File:Rameau Carmontelle.JPG; File:Rameau Traite de l’harmonie.jpg; François Couperin; François-Joseph Gossec; Franco-Prussian War; French opera; French overture; French Revolution; Gaspard Le Roux; Gavotte; Harpsichord; Hector Berlioz; Hippolyte et Aricie; Houdar de la Motte; In convertendo Dominus (Rameau); Infanta Maria Teresa Rafaela of Spain; Io (opera); Isaac Newton; Jacques Duphly; Jacques Goermans; Jean-Baptiste Lully; Jean-Baptiste Rousseau; Jean-François Dandrieu; Jean-Jacques Rousseau; Jean-Joseph Cassanéa de Mondonville; Jean le Rond d'Alembert; Jesuit; Johann Stamitz; John Eliot Gardiner; Joseph-Nicolas-Pancrace Royer; La guirlande; La naissance d'Osiris; La Poupelinière; La princesse de Navarre; La serva padrona; Les Boréades; Les fêtes d'Hébé; Les fêtes de l'Hymen et de l'Amour; Les fêtes de Polymnie; Les fêtes de Ramire; Les Indes galantes; Les Paladins; Les sibarites; Les surprises de l'Amour; Le temple de la gloire; Libretto; Linus (opera); Lisis et Délie; Louis, Dauphin of France (1729–1765); Louis (coin); Louis-Claude Daquin; Louis de Cahusac; Louis Marchand; Louis-Nicolas Clérambault; Loure; Lyon; Marcelle Meyer; Marc Minkowski; Michel Paul Guy de Chabanon; Minuet; Monody; Montéclair; Motet; Music theory; Mutopia Project; Naïs; Nélée et Myrthis; Nicolas Siret; Opéra-ballet; Opera buffa; Opera seria; Orfeo ed Euridice; Padre Martini; Paride ed Elena; Passepied; Pastoral; Paul Dukas; Philippe Quinault; Philosophes; Pièces de Clavecin; Pieces de clavecin (Rameau); Pièces de clavecin en concert; Pieces de Clavecin en Concerts; Pigmalion (opera); Platée; Polyphony; Prosody (linguistics); Querelle des Bouffons; Rameau's Nephew; Recitative; Richard Wagner; Rigaudon; Ritornello; Rowland Emett; Samson (opera); Schola Cantorum; Société du Caveau; Tambourin; Tommaso Traetta; Tragédie en musique; Traité de l'harmonie réduite à ses principes naturels; Treatise on Harmony; Trevor Pinnock; Victoria Centre; Vincent d'Indy; Vocalise; Voltaire; William Christie (musician); Zaïs; Zéphire; Zoroastre
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Subject: Category:1683 births; Category:1764 deaths; Category:17th-century male musicians; Category:18th-century classical composers; Category:18th-century French composers; Category:18th-century French male musicians; Category:Burials at Saint-Eustache, Paris; Category:Composers awarded knighthoods; Category:Composers for harpsichord; Category:French ballet composers; Category:French Baroque composers; Category:French male classical composers; Category:French male non-fiction writers; Category:French music theorists; Category:French opera composers; Category:Male opera composers; Category:Musicians from Dijon
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Title: enGavotte and Variations; enGavotte et six doubles; enI. Allemande
Type: enmusic
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Jean-Philippe Rameau

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