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58665 Creator 17dd37253104921d8ed80b22a9c83422
58665 Creator a06ed779ce570e3618ed9d2178765eac
58665 Date 2018-12-04
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58665 abstract This thesis considers the emerging character of asexual activism in Western societies. It asks what the key factors are impacting on triggering, mobilisation, organisation and performance that motivate asexual-identified individuals into collective activism. It considers the significance of wider LGBT+ and Q activism exemplified by Pride as performed spectacle, as a factor influencing the character of contemporary asexual activism. This is considered both in terms of how the staging, setting and scripting of Pride speaks to asexual activists in the West, and, how they speak back to Pride as actor-activists, audience and bystanders to its political theatre. Methodologically, this thesis is based on 15 months of ethnographic research: online semi-structured interviews with asexual activists in both Europe and North America; auto-ethnographic participant-observation of Pride events in Europe and North America, and, specific case studies of WorldPride 2014 and Berlin Pride 2015. Theoretically, it draws cross-disciplinarily on: insights from Social Movement Theory, particularly recent work which emphasises the significance of emotive, cultural drama in contemporary activism; insights from Sexuality & Gender Studies concerning scripted behaviour and LGBT+ and Q identity-formations, and, emerging research in Asexual Studies concerning asexual orientations, identities and socialised behaviours. The thesis emphasises the work of Goffmann (1971, 1974, 2017), Jasper (2008), Plummer (1994), Rubin (2011), Stallybrass and White (1986) and Tilly (1995) to analyse the presentation of the asexual activist self, the collective activist performances through which that self is embodied, and the interrelated asexual and Pride narratives that are contended. Through auto-ethnography it considers the researcher’s engagement with these contentious repertoires, as academic and participant-observer who is also an actor-activist, audience member and bystander. This analysis reveals a disconnect between the ongoing, framed scripting of Pride activism in the West and the emerging core-frames of asexual activist scripts; even as asexual activists seek alignment.
58665 authorList authors
58665 degree phd
58665 status unpublished
58665 status nonPeerReviewed
58665 uri http://data.open.ac.uk/oro/document/757601
58665 uri http://data.open.ac.uk/oro/document/757602
58665 uri http://data.open.ac.uk/oro/document/757604
58665 uri http://data.open.ac.uk/oro/document/757916
58665 uri http://data.open.ac.uk/oro/document/757917
58665 uri http://data.open.ac.uk/oro/document/757918
58665 uri http://data.open.ac.uk/oro/document/757919
58665 uri http://data.open.ac.uk/oro/document/757920
58665 uri http://data.open.ac.uk/oro/document/757921
58665 uri http://data.open.ac.uk/oro/document/757943
58665 uri http://data.open.ac.uk/oro/document/757944
58665 uri http://data.open.ac.uk/oro/document/757945
58665 uri http://data.open.ac.uk/oro/document/757946
58665 uri http://data.open.ac.uk/oro/document/761987
58665 uri http://data.open.ac.uk/oro/document/761988
58665 uri http://data.open.ac.uk/oro/document/763748
58665 uri http://data.open.ac.uk/oro/document/764241
58665 type Article
58665 type Thesis
58665 label de Lappe, Joseph (2018). “Asexy and we know it”: The Emergence of Asexual Activism as a Sexual and Gender Social Movement. PhD thesis The Open University.
58665 label de Lappe, Joseph (2018). “Asexy and we know it”: The Emergence of Asexual Activism as a Sexual and Gender Social Movement. PhD thesis The Open University.
58665 Title “Asexy and we know it”: The Emergence of Asexual Activism as a Sexual and Gender Social Movement
58665 in dataset oro