LinkedDataHub - Arcangelo Corelli

Arcangelo Corelli

Arcangelo Corelli

Arcangelo Corelli (/kəˈrɛli/, also UK: /kɒˈ-/, US: /kɔːˈ-, koʊˈ-/, Italian: [arˈkandʒelo koˈrɛlli]; 17 February 1653 – 8 January 1713) was an Italian composer and violinist of the Baroque era. His music was key in the development of the modern genres of sonata and concerto, in establishing the preeminence of the violin, and as the first coalescing of modern tonality and functional harmony.

Cname: enArcangelo Corelli
Comment: enArcangelo Corelli (/kəˈrɛli/, also UK: /kɒˈ-/, US: /kɔːˈ-, koʊˈ-/, Italian: [arˈkandʒelo koˈrɛlli]; 17 February 1653 – 8 January 1713) was an Italian composer and violinist of the Baroque era. His music was key in the development of the modern genres of sonata and concerto, in establishing the preeminence of the violin, and as the first coalescing of modern tonality and functional harmony.
Depiction
Description: enPerformed by the Advent Chamber Orchestra
Filename: enCorelli - Concerto Grosso Op. 6 No. 4 - 1. Adagio - Allegro.ogg; enCorelli - Concerto Grosso in G minor - Christmas Concerto - part 1.ogg; enCorelli - Concerto Grosso in G minor - Christmas Concerto - part 2.ogg; enCorelli-Trio Sonata 11-1.ogg; enCorelli-Trio Sonata 11-2.ogg; enCorelli-Trio Sonata 11-3.ogg
Has abstract: enArcangelo Corelli (/kəˈrɛli/, also UK: /kɒˈ-/, US: /kɔːˈ-, koʊˈ-/, Italian: [arˈkandʒelo koˈrɛlli]; 17 February 1653 – 8 January 1713) was an Italian composer and violinist of the Baroque era. His music was key in the development of the modern genres of sonata and concerto, in establishing the preeminence of the violin, and as the first coalescing of modern tonality and functional harmony. He was trained in Bologna and Rome, and in this city he developed most of his career, due also to the protection of great patrons. Even if his entire production is limited to just six collections of published works — five of which composed by Trio Sonatas or solo and one by Concerti grossi — he achieved great fame and success throughout Europe, also crystallizing models of wide influence. His writing was admired for its balance, refinement, sumptuous and original harmonies, for the richness of the textures, for the majestic effect of the theatricality and for its clear, expressive and melodious polyphony, a perfect quality of classical ideals, although belonging to the baroque epoch and often employing resources typical of this school, such as the exploration of dynamic and expressive contrasts, but always tempered by a great sense of moderation. He was the first to fully apply, with an expressive and structuring purpose, the new tonal system, consolidated after at least two hundred years of experimentation. As a virtuoso violinist he was considered one of the greatest of his generation and contributed, thanks to the development of modern playing techniques and to his many disciples scattered throughout Europe, to place the violin among the most prestigious solo instruments and was also a significant figure in the evolution of the traditional orchestra. A dominant figure in Roman musical life and internationally highly regarded, he was desired by many courts and was included in the most prestigious artistic and intellectual society of his time, the Pontifical Academy of Arcadia. He was known in his time as "the new Orpheus", "the prince of musicians" and other similar adjectives, great folklore was generated around his figure and his fame did not diminish after his death. Even today his work is the subject of a voluminous critical bibliography and his sonatas are still widely used in musical academies as didactic material as well as pieces capable of affirming themselves in today's concert repertoire. His position in the history of Western music is considered crucial, being recognized as one of the greatest masters at the turn of the XVII and XVIII century, as well as one of the earliest and greatest classicists.
Has exact match: i94791
Hypernym: Violinist
Id: enCorelli, Arcangelo
Is primary topic of: Arcangelo Corelli
Label: enArcangelo Corelli
Link from a Wikipage to an external page: voicesofmusic.org/Concertos.html; wiki.ccarh.org/wiki/MuseData:_Arcangelo_Corelli
Link from a Wikipage to another Wikipage: Accademia Filarmonica of Bologna; Amsterdam; Andrea Adami da Bolsena; Antonio Cesti; Antonio Vivaldi; Baroque; Baroque music; Basso continuo; Benedetto Marcello; Benedetto Pamphili; Bologna; Cardinal Ottoboni; Carlo Mannelli; Category:1653 births; Category:1713 deaths; Category:17th-century classical composers; Category:17th-century Italian composers; Category:17th-century male musicians; Category:18th-century classical composers; Category:18th-century Italian composers; Category:18th-century Italian male musicians; Category:Burials at the Pantheon, Rome; Category:Composers for violin; Category:Italian Baroque composers; Category:Italian classical violinists; Category:Italian male classical composers; Category:Male classical violinists; Category:Musicians from Bologna; Category:People from the Province of Ferrara; Category:People from the Province of Ravenna; Cello; Chamber music; Charles Burney; Chord progression; Christina, Queen of Sweden; Christmas Concerto (Corelli); Chromatic scale; Circle of fifths; Classical period (music); Composer; Concerti grossi, Op. 6 (Handel); Concertino (group); Concerto; Concerto grosso; Consonance and dissonance; Cristiano Farinelli; Diocese of Ferrara; E. Florence Whitlock; Faenza; Fantasia Concertante on a Theme of Corelli; Fausto Torrefranca; Feudal; File:Arcangelo Corelli, portrait by Hugh Howard (1697).jpg; File:Corelli Arcangelo, dal frontespizio dell'op. VI (cropped).jpg; File:Pietro Ottoboni by Francesco Trevisani.jpg; Folia; Forlì; Francesco Antonio Bonporti; Francesco Cavalli; Francesco Gasparini; Francesco Geminiani; François Couperin; Friedrich Chrysander; Fugue; Fusignano; Georg Friedrich Handel; Georg Muffat; Georg Philipp Telemann; Giovanni Battista Bassani; Giovanni Benvenuti; Giovanni Legrenzi; Giovanni Mario Crescimbeni; Giovanni Pierluigi da Palestrina; Giovanni Stefano Carbonelli; Giuseppe Sammartini; Giuseppe Torelli; Giuseppe Valentini; Harpsichord; Henry Purcell; History of music; Homophony; House of Chigi; Jean-Baptiste Lully; Jean-Jacques Rousseau; Johann Sebastian Bach; John Hawkins (author); Lent; Lugo, Emilia-Romagna; Lutes; Manfred Bukofzer; Marc Pincherle; Master and Commander: The Far Side of the World; Maximilian II Emanuel, Elector of Bavaria; Michael Tippett; Modal music; Modena; Musical ensemble; Orchestra; Orpheus; Padre Martini; Pantheon, Rome; Papal States; Piancastelli; Pietro Castrucci; Pietro Locatelli; Pietro Ottoboni (cardinal); Polyphony; Pontifical Academy of Arcadia; Pope Alexander VIII; Publications by Friedrich Chrysander; Rhetoric; Richard Taruskin; Ripieno; Romagna; Rome; San Giovanni dei Fiorentini; San Luigi dei Francesi; San Marcello al Corso; Santi Domenico e Sisto; Sistine Chapel; Sonata; Sonata da camera; Sonata da chiesa; Stanford University; Theorbo; The Triumph of Time and Truth; Tonality; Tonal music; Trio sonata; Trio Sonata; Twelve concerti grossi, op.6 (Corelli); Twelve concerti grossi, Op. 6 (Corelli); Twelve Violin Sonatas, Op.5 (Corelli); Variation (music); Violin; Violone; Voices of Music; WoO; XVII century; XVIII century
SameAs: 11901176X; 14156251X; 185809812
SameAs: 69124242
SameAs: 69124242; a3546087-fe59-47d3-a3a8-42d58e2573c7; Arcangelo Corelli; Arcangelo Corelli; Arcangelo Corelli; Arcangelo Corelli; Arcangelo Corelli; Arcangelo Corelli; Arcangelo Corelli; Arcangelo Corelli; Arcangelo Corelli; Arcangelo Corelli; Arcangelo Corelli; Arcangelo Corelli; Arcangelo Corelli; Arcangelo Corelli; Arcangelo Corelli; Arcangelo Corelli; Arcangelo Corelli; Arcangelo Corelli; Arcangelo Corelli; Arcangelo Corelli; Arcangelo Corelli; Arcangelo Corelli; Arcangelo Corelli; Arcangelo Corelli; Arcangelo Corelli; Arcangelo Corelli; Arcangelo Corelli; Arcangelo Corelli; Arcangelo Corelli; Arcangelo Corelli; Arcangelo Corelli; Arcangelo Corelli; Arcangelo Corelli; Arcangelo Corelli; Arcangelo Corelli; Arcangelo Corelli; Arcangelo Corelli; Arcangelo Corelli; Arcangelo Corelli; Arcangelo Corelli; Arcangelo Corelli; Archangelus Corelli; Arkandželo Korelli; cX71; m.0c542; p07078065X; Q164475; Αρκάντζελο Κορέλι; Арканджело Корели; Арканджело Кореллі; Арканджэла Карэлі; Арканђело Корели; Корелли, Арканджело; Արկանջելո Կորելլի; ארכאנג'לו קורלי; آرکانجلو کورلی; أركنجلو كوريلي; اركانجيلو كوريلى; არქანჯელო კორელი; アルカンジェロ・コレッリ; 阿尔坎杰罗·科雷利; 아르칸젤로 코렐리
SeeAlso: Op. 6 (Corelli); Twelve concerti grossi
SoundRecording: Arcangelo Corelli Sound 1; Arcangelo Corelli Sound 2; Arcangelo Corelli Sound 3; Arcangelo Corelli Sound 4; Arcangelo Corelli Sound 5; Arcangelo Corelli Sound 6
Subject: Category:1653 births; Category:1713 deaths; Category:17th-century classical composers; Category:17th-century Italian composers; Category:17th-century male musicians; Category:18th-century classical composers; Category:18th-century Italian composers; Category:18th-century Italian male musicians; Category:Burials at the Pantheon, Rome; Category:Composers for violin; Category:Italian Baroque composers; Category:Italian classical violinists; Category:Italian male classical composers; Category:Male classical violinists; Category:Musicians from Bologna; Category:People from the Province of Ferrara; Category:People from the Province of Ravenna
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Title: enChristmas Concerto, movements 1–2; enChristmas Concerto, movements 4–6; enConcerto Grosso Op. 6 No. 4 – 1. Adagio – Allegro; enTrio Sonata Op. 2 No. 11, 1st movement; enTrio Sonata Op. 2 No. 11, 2nd movement; enTrio Sonata Op. 2 No. 11, 3rd movement
WasDerivedFrom: Arcangelo Corelli?oldid=1124105631&ns=0
WikiPageLength: 31460
Wikipage page ID: 44660
Wikipage revision ID: 1124105631
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