
Music of ancient Rome
The music of ancient Rome was a part of Roman culture from the earliest of times. Songs (carmen) were an integral part of almost every social occasion. The Secular Ode of Horace, for instance, was commissioned by Augustus and performed by a mixed children's choir at the Secular Games in 17 BC. Music was customary at funerals, and the tibia (Greek aulos), a woodwind instrument, was played at sacrifices to ward off ill influences. Under the influence of ancient Greek theory, music was thought to reflect the orderliness of the cosmos, and was associated particularly with mathematics and knowledge.
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- enright
- Author
- enMarcus Tullius Cicero
- Comment
- enThe music of ancient Rome was a part of Roman culture from the earliest of times. Songs (carmen) were an integral part of almost every social occasion. The Secular Ode of Horace, for instance, was commissioned by Augustus and performed by a mixed children's choir at the Secular Games in 17 BC. Music was customary at funerals, and the tibia (Greek aulos), a woodwind instrument, was played at sacrifices to ward off ill influences. Under the influence of ancient Greek theory, music was thought to reflect the orderliness of the cosmos, and was associated particularly with mathematics and knowledge.
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- enLeft image:: Silenus holding a lyre, detail of a fresco from the Villa of the Mysteries, Pompeii, Italy, c. 50 BC
- enRight image: wall fresco of a seated woman with a kithara, 40-30 BC, from the Villa Boscoreale of P. Fannius Synistor; late Roman Republic; it most likely represents Berenice II of Ptolemaic Egypt wearing a stephane on her head.
- Has abstract
- enThe music of ancient Rome was a part of Roman culture from the earliest of times. Songs (carmen) were an integral part of almost every social occasion. The Secular Ode of Horace, for instance, was commissioned by Augustus and performed by a mixed children's choir at the Secular Games in 17 BC. Music was customary at funerals, and the tibia (Greek aulos), a woodwind instrument, was played at sacrifices to ward off ill influences. Under the influence of ancient Greek theory, music was thought to reflect the orderliness of the cosmos, and was associated particularly with mathematics and knowledge. Etruscan music had an early influence on that of the Romans. During the Imperial period, Romans carried their music to the provinces, while traditions of Asia Minor, North Africa, and Gaul became a part of Roman culture. Music accompanied public spectacles, events in the arena, and was part of the performing art form called pantomimus, an early form of story ballet that combined expressive dancing, instrumental music, and a sung libretto.
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- Part
- Image
- enP. Fannius Synistor anagoria links.JPG
- enVilla dei Misteri IV - 2.jpg
- Is primary topic of
- Music of ancient Rome
- Label
- enMusic of ancient Rome
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- www.thaleia.es/%3Fseccion=musica&lan=es
- www.kerylos.fr/en
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- Aalen
- Acerra normalis
- Actia
- Actor
- Aerophone
- Africa (Roman province)
- Amiata Records
- Ancient Rome and wine
- Animal sacrifice
- Anna Perenna
- Annie Bélis
- Apollo
- Aristides Quintilianus
- Arval Brethren
- Asia Minor
- Askaules
- Augustus
- Aulos
- Berenice II
- Bona Dea
- Brass instrument
- Buccina
- Bugle call
- Capistrum
- Carmen Saeculare
- Cena
- Ceres (mythology)
- Choir
- Cicero
- Cithara
- Consecration
- Cornelius Nepos
- Cornicen
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- Cybele
- Cymbal
- Dance studio
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- File:Choregos actors MAN Napoli Inv9986.jpg
- File:Mosaique Zliten.jpg
- File:Nennig Roman Villa and Mosaics - 51134391923.jpg
- File:Pompéi (Nîmes) 44 paire de cymbalettes.jpg
- File:Rilievo con corteo funebre, 20 ac-20 dc ca., da amiternum, 06 musici.jpg
- File:Roman fresco Villa dei Misteri Pompeii - detail with dancing menad.jpg
- File:Roman sacrifice Louvre Ma992.jpg
- File:Scena di commedia, musici ambulanti, da villa di cecerone a pompei, 9985, 03.JPG
- Fingerboard
- Flute
- French horn
- Fresco
- Fret
- Gaul
- Gladiator
- Glossary of ancient Roman religion
- Guitar
- Gymnastics
- Harp
- Herculaneum
- Horace
- Hydraulis
- Interval (music)
- Isis
- Kithara
- Latin poetry
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- Lucius Calpurnius Piso Caesoninus (consul 58 BC)
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- National Archaeological Museum, Naples
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- String (music)
- Stringed instruments
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- Trumpet
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- Villa of the Mysteries
- Wind instrument
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- Women in ancient Rome
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- SameAs
- 2bBN5
- m.0bqj8x
- Música da Roma Antiga
- Música de l'Antiga Roma
- Música de la Antigua Roma
- Musica nella civiltà romana
- Musica Romana antiqua
- Musique de la Rome antique
- Muzika e Romës së lashtë
- Q2785096
- Vanarooma muusika
- Древнеримская музыка
- Музика в Стародавньому Римі
- Римска музика
- Text
- enFor I agree with Plato that nothing so easily flows into young and impressionable minds as the various notes of the musical scale; it is hard to express the extent of their power in one way or the other. For music animates the indolent and calms the excited; it causes spirits to relax at one moment and then restrains them the next. Many states in Greece considered it important to preserve the ancient style of music; yet their morals changed along with their songs and slid to decadence as a result. Either they were corrupted by the sweet seductiveness of music, as some people think, or, once the stringency of their morals was undermined by their other vices, then their ears and minds became changed, leaving room for this musical change also. For this reason the wisest and by far the most learned man in Greece was greatly afraid of this decline. For he denies that the laws of music can be changed without heralding a change in the laws of the state. However, I for one do not think that this should be feared so greatly, although it should not be overlooked either. Indeed, how the theatre, which once used to be filled with the tunes of Livius and Naevius, pleasing in their simplicity, is now filled with people who leap up and toss their heads and roll their eyes in time with the twists and turns of the music. In the old days, Greece used to punish such behaviour harshly, anticipating far in advance how the deadly plague might sink gradually into the minds of citizens and suddenly overturn entire states with evil pursuits and evil ideas — if, indeed, it is true that stern Sparta ordered the strings above the number of seven to be cut off the lyre of Timotheus.
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