Music of ancient Rome

Music of ancient Rome

The music of ancient Rome was a part of Roman culture from the earliest of times. Songs (carmen) were an integral part of almost every social occasion. The Secular Ode of Horace, for instance, was commissioned by Augustus and performed by a mixed children's choir at the Secular Games in 17 BC. Music was customary at funerals, and the tibia (Greek aulos), a woodwind instrument, was played at sacrifices to ward off ill influences. Under the influence of ancient Greek theory, music was thought to reflect the orderliness of the cosmos, and was associated particularly with mathematics and knowledge.

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enright
Author
enMarcus Tullius Cicero
Comment
enThe music of ancient Rome was a part of Roman culture from the earliest of times. Songs (carmen) were an integral part of almost every social occasion. The Secular Ode of Horace, for instance, was commissioned by Augustus and performed by a mixed children's choir at the Secular Games in 17 BC. Music was customary at funerals, and the tibia (Greek aulos), a woodwind instrument, was played at sacrifices to ward off ill influences. Under the influence of ancient Greek theory, music was thought to reflect the orderliness of the cosmos, and was associated particularly with mathematics and knowledge.
Depiction
Bas relief from Arch of Marcus Aurelius showing sacrifice.jpg
Bas relief from Arch of Marcus Aurelius triumph chariot.jpg
British Museum Mildenhall Bacchic Dish A.jpg
Choregos actors MAN Napoli Inv9986.jpg
Cornicen on Trajan's column.jpg
Cornu Aalen.jpg
Grande Ludovisi Altemps Inv8574 n4.jpg
Harfenspielerin Römisches Fresko.jpg
Herculaneum - Lyre and Cupids.jpg
Mosaique Zliten.jpg
Nennig Roman Villa and Mosaics - 51134391923.jpg
P. Fannius Synistor anagoria links.jpg
Pompéi (Nîmes) 44 paire de cymbalettes.jpg
Pompei-suonatrice.jpg
Rilievo con corteo funebre, 20 ac-20 dc ca., da amiternum, 06 musici.jpg
Roman fresco Villa dei Misteri Pompeii - detail with dancing menad.jpg
Roman sacrifice Louvre Ma992.jpg
Scena di commedia, musici ambulanti, da villa di cecerone a pompei, 9985, 03.jpg
Villa dei Misteri IV - 2.jpg
Footer
enLeft image:: Silenus holding a lyre, detail of a fresco from the Villa of the Mysteries, Pompeii, Italy, c. 50 BC
enRight image: wall fresco of a seated woman with a kithara, 40-30 BC, from the Villa Boscoreale of P. Fannius Synistor; late Roman Republic; it most likely represents Berenice II of Ptolemaic Egypt wearing a stephane on her head.
Has abstract
enThe music of ancient Rome was a part of Roman culture from the earliest of times. Songs (carmen) were an integral part of almost every social occasion. The Secular Ode of Horace, for instance, was commissioned by Augustus and performed by a mixed children's choir at the Secular Games in 17 BC. Music was customary at funerals, and the tibia (Greek aulos), a woodwind instrument, was played at sacrifices to ward off ill influences. Under the influence of ancient Greek theory, music was thought to reflect the orderliness of the cosmos, and was associated particularly with mathematics and knowledge. Etruscan music had an early influence on that of the Romans. During the Imperial period, Romans carried their music to the provinces, while traditions of Asia Minor, North Africa, and Gaul became a part of Roman culture. Music accompanied public spectacles, events in the arena, and was part of the performing art form called pantomimus, an early form of story ballet that combined expressive dancing, instrumental music, and a sung libretto.
Hypernym
Part
Image
enP. Fannius Synistor anagoria links.JPG
enVilla dei Misteri IV - 2.jpg
Is primary topic of
Music of ancient Rome
Label
enMusic of ancient Rome
Link from a Wikipage to an external page
www.thaleia.es/%3Fseccion=musica&lan=es
www.kerylos.fr/en
www.ludi-scaenici.it/
Link from a Wikipage to another Wikipage
Aalen
Acerra normalis
Actia
Actor
Aerophone
Africa (Roman province)
Amiata Records
Ancient Rome and wine
Animal sacrifice
Anna Perenna
Annie Bélis
Apollo
Aristides Quintilianus
Arval Brethren
Asia Minor
Askaules
Augustus
Aulos
Berenice II
Bona Dea
Brass instrument
Buccina
Bugle call
Capistrum
Carmen Saeculare
Cena
Ceres (mythology)
Choir
Cicero
Cithara
Consecration
Cornelius Nepos
Cornicen
Cornu (horn)
Cybele
Cymbal
Dance studio
Diadem
Dionysia
Domitian
Drum kit
Elagabalus
Enema
Entertainment
Epaminondas
Erotic dance
Etruscan civilization
Etruscan culture
Fibula (penile)
File:Choregos actors MAN Napoli Inv9986.jpg
File:Mosaique Zliten.jpg
File:Nennig Roman Villa and Mosaics - 51134391923.jpg
File:Pompéi (Nîmes) 44 paire de cymbalettes.jpg
File:Rilievo con corteo funebre, 20 ac-20 dc ca., da amiternum, 06 musici.jpg
File:Roman fresco Villa dei Misteri Pompeii - detail with dancing menad.jpg
File:Roman sacrifice Louvre Ma992.jpg
File:Scena di commedia, musici ambulanti, da villa di cecerone a pompei, 9985, 03.JPG
Fingerboard
Flute
French horn
Fresco
Fret
Gaul
Gladiator
Glossary of ancient Roman religion
Guitar
Gymnastics
Harp
Herculaneum
Horace
Hydraulis
Interval (music)
Isis
Kithara
Latin poetry
Libretto
Livy
Lucius Calpurnius Piso Caesoninus (consul 58 BC)
Ludi
Ludovisi sarcophagus
Lute
Lyre
Maenad
Marcus Aurelius
Marcus Terentius Varro
Mars (mythology)
Mesopotamia
Mildenhall Treasure
Military communications
Military of ancient Rome
Monochord
Musical acoustics
Music of ancient Greece
Narrative ballet
National Archaeological Museum, Naples
Nero
Numa Pompilius
Orchestra
Oud
Overtone
Ovid
Pan (mythology)
Pandura
Panpipes
Pantomime
Percussion
Percussion instrument
Phorbeiá
Pliny the Younger
Plutarch
Pompa circensis
Pompeii
Prostitution in ancient Rome
Ptolemaic Egypt
Quinquennial Neronia
Quintilian
Relief
Religion in ancient Rome
Religious festival
Rhythm
Roman art
Roman consul
Roman Empire
Roman funerals and burial
Roman imperial cult
Roman Kingdom
Roman mosaic
Roman province
Roman Republic
Roman Senate
Roman temple
Roman triumph
Roman tuba
Salii
Sambuca (instrument)
Scabellum
Scipio Aemilianus
Secular Games
Sexual abstinence
Silenus
Sistrum
Slavery in ancient Rome
String (music)
Stringed instruments
String Instruments
Synaulia
Theatre of ancient Rome
Thebes, Greece
The Twelve Caesars
Tivoli, Lazio
Toga
Tragedy
Trajan's Column
Trumpet
Villa Boscoreale
Villa of the Mysteries
Wind instrument
Wind Instruments
Women in ancient Rome
Woodwind
SameAs
2bBN5
m.0bqj8x
Música da Roma Antiga
Música de l'Antiga Roma
Música de la Antigua Roma
Musica nella civiltà romana
Musica Romana antiqua
Musique de la Rome antique
Muzika e Romës së lashtë
Q2785096
Vanarooma muusika
Древнеримская музыка
Музика в Стародавньому Римі
Римска музика
Text
enFor I agree with Plato that nothing so easily flows into young and impressionable minds as the various notes of the musical scale; it is hard to express the extent of their power in one way or the other. For music animates the indolent and calms the excited; it causes spirits to relax at one moment and then restrains them the next. Many states in Greece considered it important to preserve the ancient style of music; yet their morals changed along with their songs and slid to decadence as a result. Either they were corrupted by the sweet seductiveness of music, as some people think, or, once the stringency of their morals was undermined by their other vices, then their ears and minds became changed, leaving room for this musical change also. For this reason the wisest and by far the most learned man in Greece was greatly afraid of this decline. For he denies that the laws of music can be changed without heralding a change in the laws of the state. However, I for one do not think that this should be feared so greatly, although it should not be overlooked either. Indeed, how the theatre, which once used to be filled with the tunes of Livius and Naevius, pleasing in their simplicity, is now filled with people who leap up and toss their heads and roll their eyes in time with the twists and turns of the music. In the old days, Greece used to punish such behaviour harshly, anticipating far in advance how the deadly plague might sink gradually into the minds of citizens and suddenly overturn entire states with evil pursuits and evil ideas — if, indeed, it is true that stern Sparta ordered the strings above the number of seven to be cut off the lyre of Timotheus.
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Scena di commedia, musici ambulanti, da villa di cecerone a pompei, 9985, 03.jpg?width=300
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Music of ancient Rome?oldid=1120248548&ns=0
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4217861
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1120248548
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