
Additive color
Additive color or additive mixing is a property of a color model that predicts the appearance of colors made by coincident component lights, i.e. the perceived color can be predicted by summing the numeric representations of the component colors. Modern formulations of Grassmann's laws describe the additivity in the color perception of light mixtures in terms of algebraic equations. Additive color predicts perception and not any sort of change in the photons of light themselves. These predictions are only applicable in the limited scope of color matching experiments where viewers match small patches of uniform color isolated against a grey or black background.
- Comment
- enAdditive color or additive mixing is a property of a color model that predicts the appearance of colors made by coincident component lights, i.e. the perceived color can be predicted by summing the numeric representations of the component colors. Modern formulations of Grassmann's laws describe the additivity in the color perception of light mixtures in terms of algebraic equations. Additive color predicts perception and not any sort of change in the photons of light themselves. These predictions are only applicable in the limited scope of color matching experiments where viewers match small patches of uniform color isolated against a grey or black background.
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- Has abstract
- enAdditive color or additive mixing is a property of a color model that predicts the appearance of colors made by coincident component lights, i.e. the perceived color can be predicted by summing the numeric representations of the component colors. Modern formulations of Grassmann's laws describe the additivity in the color perception of light mixtures in terms of algebraic equations. Additive color predicts perception and not any sort of change in the photons of light themselves. These predictions are only applicable in the limited scope of color matching experiments where viewers match small patches of uniform color isolated against a grey or black background. Additive color models are applied in the design and testing of electronic displays that are used to render realistic images containing diverse sets of color using phosphors that emit light of a limited set of primary colors. Examination with a sufficiently powerful magnifying lens will reveal that each pixel in CRT, LCD, and most other types of color video displays is composed of red, green, and blue light-emitting phosphors which appear as a variety of single colors when viewed from a normal distance. Additive color, alone, does not predict the appearance of mixtures of printed color inks, dye layers in color photographs on film, or paint mixtures. Instead, subtractive color is used to model the appearance of pigments or dyes, such as those in paints, inks. The combination of two of the common three additive primary colors in equal proportions produces an additive secondary color—cyan, magenta or yellow. Additive color is also used to predict colors from overlapping projected colored lights often used in theatrical lighting for plays, concerts, circus shows, and night clubs. The full gamut of color available in any additive color system is defined by all the possible combinations of all the possible luminosities of each primary color in that system. In chromaticity space, a gamut is a plane convex polygon with corners at the primaries. For three primaries, it is a triangle.
- Hypernym
- Color
- Is primary topic of
- Additive color
- Label
- enAdditive color
- Link from a Wikipage to an external page
- www.edinphoto.org.uk/1_P/1_photographers_maxwell.htm
- graphics.stanford.edu/courses/cs178/applets/colormixing.html
- www.poeticmind.co.uk/research/rgb-cmyk-colour-systems/
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- Category:Color
- Category:Color space
- Cathode ray tube
- Chromaticity
- Color
- Color mixing
- Color motion picture film
- Color space
- Color theory
- Convex polygon
- Cyan
- Dye
- File:Additive colors.ogv
- File:J C Maxwell with top.jpg
- File:RGB illumination.jpg
- File:Tartan Ribbon.jpg
- Gamut
- Grassmann's laws (color science)
- Hermann von Helmholtz
- Inks
- James Clerk Maxwell
- Kinemacolor
- Light
- Liquid crystal display
- Luminosity
- Magenta
- Paint
- Phosphor
- Photograph
- Photographic film
- Pigment
- Primary color
- Prizma
- RGB color model
- Secondary color
- Subtractive color
- Technicolor
- Thomas Sutton (photographer)
- Thomas Young (scientist)
- Triangle
- Trichromatic color vision
- William Friese-Greene
- Yellow
- Young–Helmholtz theory
- SameAs
- 3G7Ak
- Additieve kleurmenging
- Additive color
- Additive Farbmischung
- Additive kleurminging
- Additiv färgblandning
- Additiv fargeblanding
- Additiv fargesyntese
- Additiv farveblanding
- Aditivní míchání barev
- Aditivno miješanje boja
- Eklemeli renk
- m.0151dn
- Mescolanza additiva
- Phối màu phát xạ
- Q353267
- Síntesi additiva de color
- Síntesis aditiva de color
- Sinteza aditive
- Synteza addytywna
- Synthèse additive
- Toevoegende kleur
- Аддитивное смешение цветов
- Адитивне змішання кольорів
- Адытыўнае змешванне колераў
- צבעים חיבוריים
- رنگ افزایشی
- لون جمعي
- 加色法
- Subject
- Category:Color
- Category:Color space
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- Additive color?oldid=1083776657&ns=0
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- Wikipage page ID
- 159505
- Wikipage revision ID
- 1083776657
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