Additive color

Additive color

Additive color or additive mixing is a property of a color model that predicts the appearance of colors made by coincident component lights, i.e. the perceived color can be predicted by summing the numeric representations of the component colors. Modern formulations of Grassmann's laws describe the additivity in the color perception of light mixtures in terms of algebraic equations. Additive color predicts perception and not any sort of change in the photons of light themselves. These predictions are only applicable in the limited scope of color matching experiments where viewers match small patches of uniform color isolated against a grey or black background.

Comment
enAdditive color or additive mixing is a property of a color model that predicts the appearance of colors made by coincident component lights, i.e. the perceived color can be predicted by summing the numeric representations of the component colors. Modern formulations of Grassmann's laws describe the additivity in the color perception of light mixtures in terms of algebraic equations. Additive color predicts perception and not any sort of change in the photons of light themselves. These predictions are only applicable in the limited scope of color matching experiments where viewers match small patches of uniform color isolated against a grey or black background.
Depiction
J C Maxwell with top.jpg
RGB illumination.jpg
Tartan Ribbon.jpg
Has abstract
enAdditive color or additive mixing is a property of a color model that predicts the appearance of colors made by coincident component lights, i.e. the perceived color can be predicted by summing the numeric representations of the component colors. Modern formulations of Grassmann's laws describe the additivity in the color perception of light mixtures in terms of algebraic equations. Additive color predicts perception and not any sort of change in the photons of light themselves. These predictions are only applicable in the limited scope of color matching experiments where viewers match small patches of uniform color isolated against a grey or black background. Additive color models are applied in the design and testing of electronic displays that are used to render realistic images containing diverse sets of color using phosphors that emit light of a limited set of primary colors. Examination with a sufficiently powerful magnifying lens will reveal that each pixel in CRT, LCD, and most other types of color video displays is composed of red, green, and blue light-emitting phosphors which appear as a variety of single colors when viewed from a normal distance. Additive color, alone, does not predict the appearance of mixtures of printed color inks, dye layers in color photographs on film, or paint mixtures. Instead, subtractive color is used to model the appearance of pigments or dyes, such as those in paints, inks. The combination of two of the common three additive primary colors in equal proportions produces an additive secondary color—cyan, magenta or yellow. Additive color is also used to predict colors from overlapping projected colored lights often used in theatrical lighting for plays, concerts, circus shows, and night clubs. The full gamut of color available in any additive color system is defined by all the possible combinations of all the possible luminosities of each primary color in that system. In chromaticity space, a gamut is a plane convex polygon with corners at the primaries. For three primaries, it is a triangle.
Hypernym
Color
Is primary topic of
Additive color
Label
enAdditive color
Link from a Wikipage to an external page
www.edinphoto.org.uk/1_P/1_photographers_maxwell.htm
graphics.stanford.edu/courses/cs178/applets/colormixing.html
www.poeticmind.co.uk/research/rgb-cmyk-colour-systems/
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Category:Color
Category:Color space
Cathode ray tube
Chromaticity
Color
Color mixing
Color motion picture film
Color space
Color theory
Convex polygon
Cyan
Dye
File:Additive colors.ogv
File:J C Maxwell with top.jpg
File:RGB illumination.jpg
File:Tartan Ribbon.jpg
Gamut
Grassmann's laws (color science)
Hermann von Helmholtz
Inks
James Clerk Maxwell
Kinemacolor
Light
Liquid crystal display
Luminosity
Magenta
Paint
Phosphor
Photograph
Photographic film
Pigment
Primary color
Prizma
RGB color model
Secondary color
Subtractive color
Technicolor
Thomas Sutton (photographer)
Thomas Young (scientist)
Triangle
Trichromatic color vision
William Friese-Greene
Yellow
Young–Helmholtz theory
SameAs
3G7Ak
Additieve kleurmenging
Additive color
Additive Farbmischung
Additive kleurminging
Additiv färgblandning
Additiv fargeblanding
Additiv fargesyntese
Additiv farveblanding
Aditivní míchání barev
Aditivno miješanje boja
Eklemeli renk
m.0151dn
Mescolanza additiva
Phối màu phát xạ
Q353267
Síntesi additiva de color
Síntesis aditiva de color
Sinteza aditive
Synteza addytywna
Synthèse additive
Toevoegende kleur
Аддитивное смешение цветов
Адитивне змішання кольорів
Адытыўнае змешванне колераў
צבעים חיבוריים
رنگ افزایشی
لون جمعي
加色法
Subject
Category:Color
Category:Color space
Thumbnail
RGB illumination.jpg?width=300
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